Suits of Fate is a dynamic fighting game made in 2D art in which you control the guests of a costume party.
A mysterious entity grants powers to some chosen ones, imprisoning them in a magic barrier. They will have to fight each other if they want to free themselves from this prison.
Nath谩lia Clarimond is the birthday girl of the party, wearing her symbolic fairy costume. His faithful bodyguard, Louren莽o, will have much work to protect her in the troubled events that will follow. Besides them we also have angel, succubus, scarecrow, platypus and many beings full of personality.
SYSTEM
聽
In the TRAF universe, the characters gained powers according to their fantasies. Its cosmic and human powers are represented in the arrangement of the 4-button attack, in which we have two for the normal and two for the powers:
Human attacks are on the normal weak and normal strong buttons.
The powers are represented on the alpha and beta buttons.
To perform the powers, you expend the energy of your Ghana Bar. This bar is also important for various actions such as canceling defense and allowing cancellations that extend combos. The most efficient way to fill it is to hit normal attacks on the opponent.
As the character loses his life energy, his barbell gains benefits. Among these advantages are a lower expense of winning for supers and cancellations between powers, thus allowing larger combos.
LAST FORCES MODE
The Bar of Ghana still has a surprise factor.
If the character is not defeated with a Super, then this bar can assume the role of life. this represents the character fighting to the last forces.
聽
In this case, the Bar maintains both functions, both Ghana and Life characteristics, giving the player more opportunity to win, but costing each error.
聽
Each character has a unique style of play and a wide variety of combinations to explore. The cancellations are very free, having as main limitation the amount of Barra, requiring a good administration of this on the part of the player.
聽
聽The party is about to start.
聽Be my guest.
